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Just think about the elements that need to be emphasised and try panning them. Not everything needs to be pannedĭon't start off your track assuming that everything needs to be panned. Go through the mix gradually assigning further and further pan positions to tracks.
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While you are doing this, you can make a list or mental note of the track's elements so you can think about what might be moved around in the soundstage, and decide how to pan vocals, keys, instruments and more. At the beginnning of a track-making and mixing session, it's worth panning everything to the centre to begin with to get an idea of the overall balance of the track and acheive a decent general mix. Try not to start off creating your track with the mixer channels panned by default. For a Panning Instruments Chart, check out the graphics at Audio Recording's website – Orchestral Panning Chart. If you're into acoustic instrument and orchestral mixing, panning is a far more prescribed process. Panning instruments in a mix is a skill you can learn through trial and error, but you'd probably prefer to learn it with more trial and less error! It's time to learn how to correctly pan vocals, deal with bassline stereo field, and plenty more subjects.
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To the untrained novice, panning start off as a fun way to mess with sounds – "| can make it go like this!" – but when the novelty wears off, it's time to start learning the reasons for audio panning, and the panning techniques that will guide you through your mixing career.